The Pop Kids
Writers - Tennant/Lowe
First released - 2016
Original album - Super
Producer - Stuart Price
Subsequent albums - Inner Sanctum, Smash
Other releases - single (UK #128, UK Dance #32, US Dance #1)
This song originated with the confluence of two separate creative acts by the Pet Shop Boys. During their 2011 tour with Take That, Chris composed the music in a Munich hotel room; hence he titled it "Munich." Later, in 2014, when he and Neil began working on songs for the album that would eventually become Super, he dug it up and played it for Neil. The music made Neil think of a potential song title he had previously written down, "The Pop Kids," which had been inspired by a friend of his who, back in the 1990s, loved pop music and would often go out clubbing with his equally pop-enamored girlfriend. Hence their friends nicknamed the two of them "the pop kids."
While the album version of the song is indeed set in the 'nineties, the Boys stated on their official website that one of their remixes (subtitled "The Full Story") "brings the story of the Pop Kids up to the present" by means of an additional verse. Indeed it does. It sounds as though our two protagonists are no longer a couple but are now living far apart—which explains why the song's recurring refrain "I loved you" is in the past tense. The narrator's former girlfriend is now a highly successful clinical biologist in California ("someone to be reckoned with"), while he himself is some sort of journalist "writing stuff about the global situation." Yet they apparently remain on friendly terms and keep in touch with each other, mutually treasuring their youthful "pop education." (Incidentally, Neil has stated with a touch of light-hearted pride, "You don't often get the phrase 'clinical biologist' in pop songs.")
Although "Inner Sanctum" streamed online before the release of any other tracks from Super, it was meant simply as a non-single foretaste of the album. "The Pop Kids" is the album's first true single, scheduled for physical release March 18, 2016. It was available in digital format as early as February 16, however, on iTunes.
The track's general musical style—although it doesn't really kick in until the first chorus—might be described as "house lite." Think of the synth-heavy take on house music heard in "Vocal" from the preceding album, but with a much airier, more effervescent touch. Yet it nevertheless has a strangely downbeat air to it. Despite the bouncy, seemingly carefree music, there's a strong undercurrent of melancholy conveyed through a preponderance of minor chords and Neil's slightly stiff, wooden vocal. It sounds almost as if he knows something that we don't. Or is he simply trying to express a sense of the vague sadness that so often accompanies nostalgia—a bittersweet awareness of lost youth and "good old days" now long past? Then again, there's that little matter of lost love ("I loved you"), which in and of itself is more than enough to justify that melancholy.
Annotations
- A June 8, 2023 article in The Guardian, "Pet Shop Boys' 30 Greatest Songs – Ranked!"—which placed "The Pop Kids" at #11 in its list—hinted that this song's title may have been inspired (despite Neil's statement to the contrary, as noted above) by a notorious headline on page 11 of the U.K. Sunday People from November 14, 1976, "Must We Fling This Filth at Our Pop Kids?" concerning NME (New Musical Express), a publication that Sunday People harshly criticized for being "full of crude words."
- The chorus of "The Pop Kids" shows the very likely stylistic influence of the 1991 dance hit "Playing with Knives" by the British band Bizarre Inc. Considering that the very first line of "The Pop Kids" invites us to "Remember those days—the early 90s," evoking a major dance hit from 1991—a track that the characters in the song would surely have danced to—is a deft stroke of musical inspiration.
- "I studied history, while you did biology / To you the human body didn’t hold any mystery" – These lines can be seen as a mildly erotic double entendre.
- The line "Telling everyone we knew that rock was overrated" is a tad ambiguous and can be interpreted in two ways. It all depends on how you parse the syntax, as illustrated by the following parenthetical groupings: "Telling everyone (we knew that rock was overrated)" or "Telling everyone we knew (that rock was overrated)." To put the question in more grammatical terms, is "everyone" the indirect object of the participle "telling" and the independent clause "we knew that rock was overrated" its direct object, or is "everyone we knew" the compound indirect object of the participle and the relative clause "that rock was overrated" its direct object? The distinction may be subtle and perhaps not very significant, but it's interesting nonetheless. When Super was actually released and the lyrics appeared in its accompanying booklet, they were parsed as "Telling everyone we knew • that rock was overrated." The same breakdown appears in the lyrics posted on the Pet Shop Boys' own website. So this strongly suggests that the second interpretation described above is the "correct" one.
- That line, incidentally, is part of a longer excerpt from the lyrics:
We were young but imagined we were so sophisticated
Telling everyone we knew that rock was overrated
Although, as noted above, Neil based this song on the experiences of some friends and adopted the voice of one of them as his lyrical persona, many fans surmised from the start that he may have drawn upon his own personal experiences as well, especially with regard to those specific lines. It appears that they were correct. Journalist A.D. Amorosi, writing for the U.S. alternative music publication Magnet, has quoted Neil as saying of those lines, "That's my snapshot recollection of coming up, really," apparently referring to the days before he and Chris hit the big time.
- During the song's "Remember those days" sequence, the rhythm track temporarily adds a cowbell to the proceedings—an amusing nod to a familiar trope of classic dance music.
- One of my site visitors interprets this song as a sad retrospective reflection on the end of a heterosexual romance, triggered by a visit to a popular gay club. Once inside, the person with the narraror realizes ("I like it here / I love it") that he or she is gay—after all, Neil's narrative persona in this song isn't necessarily male although, to be sure, Neil has referred to the real-life person who inspired the character of the narrator as a male friend—which leads to the end of the relationship, much to the narrator's regret. This is an intriguing theory, but "The Full Story" mix, which brings the story up to date, neither confirms nor refutes it.
- Expanding on that theme, another site visitor has put it to me in a different way that I find especially compelling: "What the narrator isn't saying is almost as intriguing as what they do say!"
Mixes/Versions
Officially released
- Mixer: Stuart Price
- Album version (3:55)
- Radio Edit (3:39)
- Inner Sanctum CD live version in medley with "In the Night" and "Burn" (11:11)
- Inner Sanctum CD live "Reprise" (1:45)
- Mixer: Pet Shop Boys
- PSB Deep Dub (5:18)
- PSB Deep Dub Radio Edit (3:16)
- "The Full Story" (5:11)
- Mixer: MK (Mark Kinchen)
- MK Dub (7:17)
- MK Dub Radio Edit (3:34)
- Mixer: Offer Nissim
- Offer Nissim Drama Mix (6:31)
- Mixer: The Scene Kings
- The Scene Kings Extended Mix (4:38)
- The Scene Kings Radio Edit (3:58)
- Mixer: Razor n' Guido
- RNG Radio Mix (3:19)
- RNG Extended Mix (6:21)
- RNG Mixshow Mix (5:21)
Official but unreleased
- Mixer: Pet Shop Boys
- "The Short Story" (3:43)
- Offer Nissim Drama Radio Mix (3:41)
- Offer Nissim Drama Tribe Mix (6:52)
- Mixer: James Anthony
- Pop Kid House Radio Edit (3:44)
- Pop Kid House Mix (5:42)
- Mixer: Handzoff
- Handzoff Dub (5:01)
- Mixers: Handzoff and GloVibes
- Handzoff vs GloVibes Reprise Vocal Mix (5:51)
- Mixer:
C-Rod (Chris Rodriguez)
- C-Rod Mix (5:59)
- Mixers: IDeaL and JBreak
- IDeaL & JBreakRemix (4:30)
- Mixers: John Keenan and Sweet Feet Music
- John Keenan vs. Sweet Feet Music (6:28)
- Mixer:
Tomorrow Now
- Tomorrow Now Remix (5:50)
- Mixer: Edson Pride
- Edson Pride Remix (6:05)
- Mixer: Jared Jones
- Jared Jones Radio Mix (3:44)
- Jared Jones Club Mix (6:45)
- Jared Jones Dub Mix (6:45)
- Mixer: Razor n' Guido
- RNG Dub (6:21)
- Mixer: UFO HunTerZ
(William Weber)
- UFO HunTerZ No Way Back Mix (6:19)
List cross-references
- PSB songs with "extra lyrics"
- PSB titles and lyrics that are (or may be) sly innuendos
- Real places mentioned by name in PSB songs
- The 10 biggest PSB hits on the U.S. Billboard dance charts
- PSB songs that have been used in films and "non-musical" TV shows
- How PSB singles differ (if at all) from the album versions
- What it's about: Neil's succinct statements on what a song is "about"
- Early titles for Pet Shop Boys songs
All text on this website aside from direct quotations (such as of lyrics and of other nonoriginal content) is copyright © 2001-2023 by Wayne Studer. All Rights Reserved. All lyrics and images are copyright © their respective dates by their respective owners. Brief quotations and small, low-resolution images are used for identification and critical commentary, thereby constituting Fair Use under U.S. copyright law. Billboard chart data are copyright © their respective dates by Nielsen Business Media, Inc.