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The key signatures of selected PSB songs

This is a somewhat arcane little list—some might even call it neurotic—but I'm rather proud of it. I've found or figured out (or, in a few cases, some of my online correspondents have found or figured out for me) the key signatures of a number of Pet Shop Boys songs. I certainly don't claim certainty, however, so if you know for sure that I'm wrong about any of these, or if you know the key signatures of any PSB songs that are missing here, . Please keep in mind that, for songs originally by other artists that the Boys have covered, the key in which they recorded it (listed here) may not be the same as the key in which it was originally written and/or previously performed.

After the Event - C minor (verses) and E♭ major (chorus)
All Over the World - A minor (verses) and F major (chorus)
Always on My Mind - G major
Axis - E minor
Beautiful People - E minor
Before - A minor
Being Boring - F minor (verses, with modulations to D♭ major) and E major (chorus)
Bet She's Not Your Girlfriend - A minor
Birthday Boy - E major
Bolshy - F minor (although the melody of the little "celeste riff" that opens the song and recurs throughout appears to be in C minor)
Breathing Space - G major (verses), E major (chorus)
Building a Wall - A minor, modulating at times to C minor
Burn - C minor, twice briefly and temporarily modulating to C major
Burning the Heather - B♭ major
Can You Forgive Her? - B minor
Casanova in Hell - A major, modulating to D major at the end
A Certain Je Ne Sais Quoi - C minor (with tuning pitched at an unusually high A = 448 Hz)
Closer to Heaven - C minor
Decadence - F♯ minor
Delusions of Grandeur - G minor (verses) and G major (chorus)
The Dictator Decides - A minor
Did You See Me Coming? - D major (although I believe the bridge is in a different key, possibly B minor)
A Different Point of View - C major
Discoteca - C minor
DJ Culture - C minor, with an E minor bridge
Do I Have To? - C minor
Domino Dancing - A minor
Don Juan - C major
Dreaming of the Queen - B♭ minor
Ego Music - largely polytonal, alternating primarily between A♭ major and A♭ minor, with its chorus in F minor
Electricity - E major
E-mail - E major
The End of the World - G major
Entschuldigung! - C major
Euroboy - D minor
Everything Means Something - F♯ minor (verses), G♯ minor pentatonic (chorus)
A Face Like That - A minor
Flamboyant - B♭ major
Fluorescent - A minor (but re-recorded in E minor for the "Cali Mix" and "Indio Mix")
Footsteps - E♭ major
For All of Us - A major
For Your Own Good - E minor
The Forgotten Child - E minor
The Former Enfant Terrible - C minor
Forever in Love - C minor
Get It Online - E major
Gin and Jag - C minor
Give It a Go - F♯ major
Give Stupidity a Chance - G major
Go West - C major, modulating near the end to D major
God Willing - C major (although the vocal appears to be in G minor)
Groovy - A minor
Happiness - A minor
Happiness Is an Option - C♯ minor
Happy People - A♭ major
Heart - A minor
Here - C major
Hey, Headmaster - A major
Hit Music - A♯ major
Hold On - D major
Home and Dry - A♭ major
Hoping for a Miracle - E minor
How Can You Expect to Be Taken Seriously? - G minor
I Don't Know What You Want But I Can't Give It Any More - F minor
I Don't Wanna - C minor
I Get Along - G major
I Get Excited (You Get Excited Too) - A minor
I Made My Excuses and Left - C minor
I Want a Dog - A minor
I Want a Lover - A minor
I Want to Wake Up - A minor
I Wouldn't Normally Do This Kind of Thing - D major
If Looks Could Kill - C minor
If Love Were All - A♯ major
I'm Not Scared - C minor
I'm with Stupid - F major
In Bits - C minor
In Denial - C major, with a C♯ major bridge
In the Night - C minor
Indefinite Leave to Remain - C minor
Inner Sanctum - E minor
Inside a Dream - C minor
Integral - F major
Into Thin Air - A minor (with some chord structures that make it at times sound like E minor)
Invisible - G minor
It Always Comes as a Surprise - A♭ major
It Couldn't Happen Here - E minor (verses) and C major (chorus)
It Doesn't Often Snow at Christmas - G major
It Must Be Obvious - A minor
It's a Sin - C minor
It's Alright - A major
Jack the Lad - B minor
Jealousy - C major
King of Rome - E♭ major
King's Cross - F minor
The Last to Die - E major
Later Tonight - E minor
Leaving - A minor
Left to My Own Devices - A minor (verses) and A major (chorus)
Legacy - E minor
Liberation - B♭ major (verses) and D major (chorus)
London - C major
Losing My Mind - E♭ major (PSB version); G major (Liza Minnelli's version)
The Lost Room - F minor
Love Comes Quickly - B minor
Love etc. - D minor
Love Is a Bourgeois Construct - C major, with a few modulations to C minor (including the ending), and its tuning pitched slightly higher (A = 444 Hz, aka "Boston Symphony Orchestra Pitch") than the standard (A = 440 Hz)
Love Is a Catastrophe - A minor
The Loving Kind - D♭ major
Luna Park - G major
A Man Could Get Arrested - C minor
Memory of the Future - opening in G minor, modulating to F minor in the first part of the verse (with a short portion in F major), modulating again to G minor in the second part of the verse (beginning "Over and over again…"), and the chorus in C minor
Minimal - C minor
Miracles - D minor, but ending on a D major chord
Miserablism - A minor
Monkey Business - D major
More Than a Dream - E♭ major
Music for Boys - C major
My Girl - C♯ minor
Nervously - C major
A New Life - F major
New York City Boy - D minor
No More Ballads - F major
Numb - C minor
The Night I Fell in Love - E major
Odd Man Out - B♭ major
On Social Media - A minor
One and One Make Five - mainly D minor, with an F major bridge
One Hit Wonder - A minor
One in a Million - A major, modulating near the end to B major
One More Chance - A minor
One of the Crowd - A minor
The Only One - F major
Only the Wind - A minor
Opportunities (Let's Make Lots of Money) - C minor, modulating for the final chorus to C♯ minor
Pandemonium - A minor
Paninaro (and Paninaro '95) - C minor
Pazzo! - E minor
The Pop Kids - C minor
Positive Role Model - C minor
A Powerful Friend - C minor
Psychological - G major
Radiophonic - A minor
A Red Letter Day - F major
Rent - A minor
Requiem in Denim and Leopardskin - F major with an E♭ major bridge to the chorus (also in F major) and briefly modulating to alternating D minor and E♭ major in the mainly instrumental "middle section"
Sad Robot World - G♯ minor, occasionally modulating to B major and ending on a B major chord
The Samurai in Autumn - E♭ major
Say It to Me - A minor
Se A Vida É (That's the Way Life Is) - A major
Sexy Northerner - E minor
Shameless - A minor (verses) and A major (chorus)
She's Madonna - F major
Shopping - A minor
Shouting in the Evening - F♯ minor
Single - D♭ major (verses and bridge) and C major (chorus)
So Hard - A minor (verses) and C major (chorus), with some modulations into C minor
So Sorry, I Said - E♭ major
The Sodom and Gomorrah Show - G minor, with an F minor bridge, modulating to B♭ minor at the end
Some Speculation - C minor
Somebody Else's Business - C minor
Somewhere - C minor
Suburbia - C minor (verses) and C major (chorus)
The Survivors - F♯ major
That's My Impression - C minor
The Theatre - E♭ minor (chorus) and E♭ major (verses)
This Must Be the Place I Waited Years to Leave - B♭ minor
This Used to Be the Future - E♭ major
Thursday - C minor
Time on My Hands - A minor
To Face the Truth - A major
To Speak Is a Sin - A minor (verses) and A major (chorus)
To Step Aside - C minor
Together - A minor
Forever - C minor
Too Many People - G major
The Truck-Driver and His Mate - C major, modulating at times to D♭ major
Twentieth Century - G major
Twenty-something - C minor
Two Divided by Zero - E♭ minor
Undertow - E minor
Up Against It - C♯ minor
Up and Down - C major
Vampires - F♯ minor
Violence - A minor
Vocal - F minor
Vulnerable - A major
Was It Worth It? - C minor, modulating at the end to E♭ major
Was That What It Was? - A minor
The Way It Used to Be - F♯ minor
We All Feel Better in the Dark - G minor
West End Girls - E minor
What Are We Going to Do About the Rich? - B♭ major, modulating to C major in the last chorus
What Have I Done to Deserve This? - C major
What Keeps Mankind Alive? - G minor
Where the Streets Have No Name (I Can't Take My Eyes Off You) - B minor
The White Dress - C minor
Why Don't We Live Together? - C minor
Wiedersehen - B♭ minor, but ending on a B♭ major chord
Will-o-the-wisp - C major
Winner - A major, modulating to C major for the final chorus
Yesterday, When I Was Mad - C minor (verses) and C major (chorus) – It has been suggested that it would be more accurate to say that this song is in the F Dorian modal key, which has the same notes as C minor but which resolves on F, although it actually ends on a B♭ major chord. This only serves to underscore the harmonic complexity of this track.
You Choose - A minor
You Know Where You Went Wrong - D major
You Only Tell Me You Love Me When You're Drunk - C major
Young Offender - D♭ major
Your Early Stuff - A minor
Your Funny Uncle - A♭ major

It would appear that Chris and Neil have a particular fondness for the keys of A minor, C minor, and C major. (It's worth noting, however, that those—especially C major—also happen to be the most frequently used keys for pop songs in general.) Chris himself has confirmed this: in response to a fan's question about his favorite key for composing, he stated in the July 2010 issue of Literally that it's "either C minor or A minor." But he was quick to add, "Not exclusively."

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