Time on My Hands
Writers - Tennant/Lowe
First released - 2003
Original album - Disco 3
Producer - Pet Shop Boys
Subsequent albums - Release 2017 reissue Further Listening 2001-2004 bonus disc
Other releases - (none)
It seems odd coming from a band one of whose signature tunes is about not being bored or boring ("Being Boring"), but this song is, as Neil himself has stated, all about "being bored" (or "boredom and partying," as he put it on another occasion). Recorded in late 2000 during the Release sessions but left unfinished until after that album came out, this track is a near-instrumental that nevertheless features the voices of both Chris and Neil, rendered almost indecipherable through heavy distortion. Fortunately, the lyrics posted on the official PSB website come to our rescue. Chris's voice is heard first, repeatedly counting "Seventy, eighty, ninety, party." As the Boys have noted in the April 2003 issue of their fan-club magazine Literally, it's a "count-up" to the millennium.
Meanwhile, Neil's repeating vocals are even more difficult to parse out. As it turns out, he's singing, "It's very nice but it's not what I'm used totime on my hands." Could this be the Boys' ambivalent commentary about their status in the current decade? Do they indeed have time on their hands? If so, why? Or are they even singing about themselves at all? Could it be some sort of bizarre rumination on the prospects of retirement, looming ever larger before the "Baby Boom" generation? (After all, "70, 80, 90" could also be viewed as a count through one's retirement years.) But with so few lyrics to go onas with "The Samurai in Autumn," they're rather haiku-like in their concisenessit's tempting to launch into a frenzy of speculation as to what this song is about. Lyrics aside, it's a totally contemporary-sounding dance track, somewhat in the "electroclash" style, and a superb opening to the album.
Annotations
- Neil has said that the strings heard in the background of this track are based on Gustav Mahleras he put it, "a few bars from the adagio of one of his symphonies." Although Neil stated that he's unsure which one because he chose it "at random," one of my site visitors has positively identified it as Austrian late-romantic composer Gustav Mahler's Fifth Symphony (published and first performed in 1904, but actually composed two or three years beforehand), familiar to many as the evocative music used extensively in the 1971 film Death in Venice starring Dirk Bogarde.
Mixes/Versions
Officially released
- Mixer: Bob Kraushaar
- Disco 3 album version (3:53)
- Also available on one of the "Further Listening" bonus discs accompanying the 2017 Release reissue
Official but unreleased
- Mixer: [unknown at this time]
- Demo (3:56)
List cross-references
- Songs on which Chris sings (or "speaks") lead
- PSB songs based on classical compositions (and some others with "classical connections")
- What it's about: Neil's succinct statements on what a song is "about"
- Early titles for Pet Shop Boys songs
All text on this website aside from direct quotations (such as of lyrics and of other nonoriginal content) is copyright © 2001-2022 by Wayne Studer. All Rights Reserved. All lyrics and images are copyright © their respective dates by their respective owners. Brief quotations and small, low-resolution images are used for identification and critical commentary, thereby constituting Fair Use under U.S. copyright law. Billboard chart data are copyright © their respective dates by Nielsen Business Media, Inc.